The House of Rust: A Novel by Khadija Abdalla Bajaber is a magical realist coming-of-age tale told through the lens of the Swahili and Hadrami culture in Mombasa, Kenya. It tells the story of Aisha as she takes to the sea on a magical boat made of a skeleton’s bones to rescue her missing fisherman father. There are talking cats and sea monsters – and then things get strange. Moderated by author Helon Habila.
In Conversation: On The House of Rust: A Novel
In Conversation: On The House of Rust: A Novel
Habila, Helon
Nigerian-born poet, short story writer, novelist, and publisher Helon Habila’s books include the short story collection Prison Stories, the novels Waiting for an Angel: A Novel – which won the Commonwealth Writers’ Prize Best First Book (Africa Region) – Measuring Time, and the bestseller Oil on Water, an environmental political thriller. Habila has also edited several anthologies, including the British Council; New Writing; Dreams, Miracles and Jazz; and The Granta Book of the African Short Story. He is on the board of the Africa Writers Trust, an organization dedicated to promote African writers and writing, and – with Parresia Books – has started a publishing company, Cordite Books, which is dedicated to publishing African crime and detective stories.
Abdalla Bajaber , Khadija
Khadija Abdalla Bajaber is a Mombasarian writer of Hadrami descent and the inaugural Graywolf Press Africa Prize winner. Her work has appeared in Enkare Review, Lolwe, and Down River Road, among other places. The House of Rust: A Novel (Graywolf Press) is a magical realist coming-of-age tale told through the lens of the Swahili and diasporic Hadrami culture in Mombasa, Kenya. When her fisherman father goes missing, Aisha takes to the sea on a magical boat made of a skeleton to rescue him. She is guided by a talking scholar’s cat – and soon, crows, goats, and other animals all have their say, too. On her journey, Aisha meets terrifying sea monsters, and after surviving a confrontation with Baba wa Papa, the father of all sharks, she rescues her father. Still, rather than life returning to normal, at home, things only grow stranger. Kirkus called it “a novel of tradition, ritual, and mystical adventure. … [a] tale rife with creatures and immersed in the Hadrami culture of Kenya.”